00:00 Steady rhythm, bass clarinet and keyboard prominent, guitar playing punctuations 
00:21 Trumpet solo fully integrated with the ensemble, notice the short melodic fragments which are set in contrast to the active rock style rhythm section
01:00 Davis and the whole ensembe continue a steady increase in activity and excitment. The guitar and electronic piano create syncopated cross rhythms under the soloist with strong active drumming. Notice the frozen harmonic region that supports this whole section
02:13 Listen for chromatic "comping" patterns in keyboard behind soloist 
02:46 Trumpet gives way to keyboard and guitar as the energy curve falls in preparation for the next solo area
03:00 Listen for the exchange of short melodic ideas and accents between the keyboard and guitar, the harmonic area is still frozen
03:40 The drummer joins in the exchange
03:52 Softens (Davis says "Like that--nice") 
04:00 The ensemble begins to sneak back in
04:16 Keyboard, guitar, and drums building again, keyboard and drums very rhythmic 
04:56 Softens again, dynamics are used here like changing harmonies would be to give shape to the performance
05:21 Trumpet enters with short melody fragments
05:40 Energy level again rises as the rhythm gets heavier contrasted with Davis' legato lines
06:56 Rhythmic feel changed to suit Davis's new explorations, short motivic ideas as Davis plays with more aggression and the comping patterns respond to his ideas.
07:38 Davis pushes the emsemble to a peak as the comping uses chromatic harmonies over the frozen tonal area
07:50 Davis starts to bring the energy down melodically
07:56 Fade out
08:04 End
